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An Overnight Success Print E-mail

Originally published in Britain's New Statesman Magazine in 1999

Most sane people don't believe they can play basketball like Michael Jordan or wear the Yankees' pinstripes like Babe Ruth did, or paint like DaVinci or Pollock, or sing like Kathleen Battle or Celine Dione, or act like Olivier or DeNiro. However, most people, sane or mad, believe they can write, if they just had the time. The reason may be as obvious as not having to be able to jump eight feet in the air holding a ball to write, or being able to break glass with your voice. All you need is a brain. And we all have brains, although we all know people for whom such a conclusion seems questionable.

I didn't wake up one day with the epiphany of wanting to be a writer over every other conceivable life occupation. As a child I lived to tell stories, all made up, many designed to get me out of trouble with my parents or various school officials, others concocted for pure entertainment. I started writing some of them down, moving words here and there to make it, at least in my mind, better. I kept journals, was one little nosy bastard, ever curious about the world around me, particularly the people inhabiting this wonderfully crazy world of ours. I would fill one blank book after another with mostly harmless observations.

I never really has a serious notion of joining the ranks of those who lived by the written word until I really started reading fiction when I was in middle school. Then I was hooked. The power those writers held over me, for even a brief period of time, was power I wanted to have. To keep people's interest when they had so much else to attract them, was a version of treading the boards on a stage except your words, your stories, were the epicenter. For a somewhat shy, reserved person who still wanted to enthrall people with his work, it was a perfect match.

I started writing fiction because it was fun. I never expected to make a dime doing it. There were (and are) many wonderful writers who were never published. I didn't see myself as a wonderful writer (and still don't). I saw myself as an apprentice learning a labor intensive, solitary, often frustrating and yet time-honored craft that rarely rewarded its disciples with anything other than the cruelest of rejection.

Success for me was spending over a decade in complete obscurity dutifully reading and writing and trying to learn how to tell a story with words in such a way that people other than my mother would enjoy it. I never perfected anything, but I got better because I kept at it. My writing time was ten at night until three in the morning. I did that for over ten years while working full-time as an attorney in Washington. I was married and had a family, and I would have had no success without the support of my wife, Michelle.

The night-time schedule may sound draconian but I ran down the stairs to my little cubbyhole each night. My law clients wouldn't want to hear this, but it was in the middle of the night creating my little fictional worlds that I was most lucid, my most energetic. Other writers have done the same thing for centuries. There is no perfect time to write, there is only the perfect love of writing; meaning that when you write, life is perfect. To a person who truly lives to tell stories, no excuse will avail. The idea of wanting to write but being unable to find the time would make absolutely no sense to someone who truly loves to write.

I actually wanted to be a short story writer, and was one for five years. You'll never get rich writing short stories, which was fine with me. My law practice was where I earned my living. I never expected my writing to generate any monies.

However, when success came, it came fast. I am an overnight success, but, being somewhat slower than others, it took me five thousand nights to get there, but I eventually did. Going from obscurity to a very small measure of celebrity was difficult, though I'm sure people will find that hard to understand or believe. But as a writer, an observer, a collector of material for my stories, I much prefer to be in the background, watching everyone else! However, I gleefully accepted all the money, but have done as much good with it as I could. And one has to understand that without the years of writing behind me I could never have written a novel like Absolute Power, which, whatever one may think of its literary quality or not, was a book that a goodly number of people enjoyed reading.

Now as a published author, my time is hardly my own. Being very charitable-minded, I've gotten myself on more charitable boards than I can actually remember. Fund-raisers here, speaking engagements there, a book due here, a screenplay or short story due there (the occasional insightful, well-written piece for distinguished publications such as this one, written frantically because I didn't want to miss a deadline), and before you know it, you need more than twenty-four hours a day. And I'm loving every minute of it because I well know what it's like to labor at a job just for the money. I had little if any zest for climbing out from under the covers each morning, getting dressed and going into the office to sue people for all they had. That just wasn't me. This, what I do now, what I'm doing in this article, stringing words together, this is me. And I'm paid to do it. I'm the luckiest bastard on the face of the earth.

I understand people who look at me and think my success is unwarranted. Every creative person in the history of the planet has gone through the same scrutiny. I certainly don't see it as us against them. It's being human; that's how we are. We want something other people have. Before I was published I found myself thinking along those lines sometimes. It was out of a sense of frustration of thinking I was as good as those who were published, and didn't I deserve to be too, DAMMIT?

So my response to any prejudice people may feel towards me is to encourage everyone to write, to be creative if they feel the least urge to do so. I conduct writing workshops for people of all ages, from high school on up. It's fun, it makes you feel good about yourself, and you let people understand what you went through, how hard you worked to fulfill a dream of yours. And surprise, surprise, all of a sudden, the petty, uninformed jealousies we all carry around to a certain degree disappear. They understand it's not so easy, but it's not impossible either. It's no longer us and them. It's just people having fun, interacting, trying to so something together.

And you know, even Jordan, DaVinci, and Battle had to work at it. And so do we all, in our own small way.

© 1999 by David Baldacci

 
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