Celebrating Juneteenth
On June 19, 1865 slavery in America officially ended—honor this holiday by learning about the individuals and communities that have continued the fight for equality, safety, and justice for Black Americans.
From underground roots to mainstream popularity, hip-hop’s influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew’s groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B’s similarly provocative Invasion of Privacy almost thirty years later, and more, Ode to Hip-Hop covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.
Albums featured: Kurtis Blow (self-titled, 1980); The Message (Grandmaster Flash and the Furious Five, 1982); Run-D.M.C (self-titled, 1984), Hot, Cool & Vicious (Salt-N-Pepa, 1986); Paid in Full (Eric B. & Rakim, 1987); Straight Outta Compton (N.W.A, 1988); Lyte as a Rock (MC Lyte, 1988); As Nasty as They Wanna Be (2 Live Crew, 1989); Mama Said Knock You Out (LL Cool J, 1990); People’s Instinctive Travels and the Paths of Rhythm (A Tribe Called Quest, 1990); The Chronic (Dr. Dre, 1992); Enter the Wu-Tang (36 Chambers) (Wu-Tang Clan, 1993); Black Reign (Queen Latifah, 1993); Doggystyle (Snoop Dogg, 1993); Illmatic (Nas, 1994); Ready to Die (The Notorious B.I.G., 1994); The Diary (Scarface, 1994); Funkdafied (Da Brat, 1994); Mystic Stylez (Three 6 Mafia, 1995); Hard Core (Lil’ Kim, 1996); Ridin’ Dirty (UGK, 1996); All Eyez On Me (2Pac, 1996); Supa Dupa Fly (Missy Elliott, 1997); Aquemini (Outkast, 1998); The Miseducation of Lauryn Hill (Lauryn Hill, 1998); It’s Dark and Hell Is Hot (DMX, 1998); Things Fall Apart (The Roots, 1999); Da Baddest B***h (Trina, 2000); The Marshall Mathers LP (Eminem, 2000); The Blueprint (JAY-Z, 2001); Lord Willin’ (Clipse, 2002); Get Rich or Die Tryin’ (50 Cent, 2003); The College Dropout (Kanye West, 2004); Let’s Get It: Thug Motivation 101 (Young Jeezy, 2005); King (T.I., 2006); Lupe Fiasco’s the Cool (Lupe Fiasco, 2007); The Carter III (Lil Wayne, 2008); The State vs. Radric Davis (Gucci Mane, 2009); Pink Friday (Nicki Minaj, 2010); Watch the Throne (JAY-Z & Kanye West, 2011); Nothing Was the Same (Drake, 2013); To Pimp a Butterfly (Kendrick Lamar, 2015); DS2 (Future, 2015); Culture (Migos, 2017); Invasion of Privacy (Cardi B., 2018); Whack World (Tierra Whack, 2018); Eve (Rapsody, 2019); City on Lock (City Girls, 2020); Montero (Lil Nas X, 2021); Traumazine (Megan Thee Stallion, 2022)
As a Black woman, Jasmine Marie knows the impact that intergenerational trauma and systemic racism have had—and continue to have—on her community. Those experiences, along with her own journey through chronic stress, are why she created black girls breathing®, a movement dedicated to helping Black women understand the power of the mind‑body connection and its impact on their holistic health, one breath at a time.
Sharing breathwork exercises from her unique somatic philosophies, proven by data and utilized by tens of thousands of participants to date, Jasmine Marie will help you:
- Connect more fully to your body
- Give yourself permission to rest
- Heal the chronic stress you carry in your body and nervous system
- Address emotional pain
- Rebuild your sense of self and your community
Black Girls Breathing is a long-overdue resource for every Strong Black Woman—the woman ready to break cycles of trauma, heal the internalized beliefs of perfectionism and conditional self‑worth, and follow the wisdom of her inner voice.
How do you learn to be a black man in America? For young black men today, it means coming of age during the presidency of Barack Obama. It means witnessing the deaths of Oscar Grant, Trayvon Martin, Michael Brown, Akai Gurley, and too many more. It means celebrating powerful moments of black self-determination for LeBron James, Dave Chappelle, and Frank Ocean.
In Invisible Man, Got the Whole World Watching, Mychal Denzel Smith chronicles his own personal and political education during these tumultuous years, describing his efforts to come into his own in a world that denied his humanity. Smith unapologetically upends reigning assumptions about black masculinity, rewriting the script for black manhood so that depression and anxiety aren’t considered taboo, and feminism and LGBTQ rights become part of the fight. The questions Smith asks in this book are urgent — for him, for the martyrs and the tokens, and for the Trayvons that could have been and are still waiting.
A crucial telling of U.S. history centering the Black women whose magic gave rise to the rich tapestry of American culture, wellness, and spirituality that we see today—from Vicks VapoRub and Aunt Jemima’s pancake mix, to the magic of Disney’s The Little Mermaid (2023), and the all-American blue jean.
Emerging first on plantations in the American South, enslaved conjure women used their magic to treat illnesses. These women combined their ancestral spiritual beliefs from West Africa with local herbal rituals and therapeutic remedies to create conjure, forging a secret well of health and power hidden to their oppressors and many of the modern-day staples we still enjoy.
In The Conjuring of America, Black feminist philosopher Lindsey Stewart exposes this vital contour of American history. In the face of slavery, Negro Mammies fashioned a legacy of magic that begat herbal experts, fearsome water bearers, and powerful mojos—roles and traditions that for centuries have been passed down to respond to Black struggles in real time. And when Jim Crow was born, Granny Midwives and textile weavers leveled their techniques to protect our civil and reproductive rights, while Candy Ladies fed a generation of freedom crusaders.
Sourcing firsthand accounts the of enslaved, dispatches from the lore of Oshun, and the wisdom of beloved Black women writers, Stewart proves indisputably that conjure informs our lives in ways remarkable and ordinary. Above all, The Conjuring of America is a love letter to the magic Black women used to sow messages of rebellion, freedom, and hope.
In It Was All a Dream, Reniqua Allen tells the stories of Black millennials searching for a better future in spite of racist policies that have closed off traditional versions of success. Many watched their parents and grandparents play by the rules, only to sink deeper and deeper into debt. They witnessed their elders fight to escape cycles of oppression for more promising prospects, largely to no avail. Today, in this post-Obama era, they face a critical turning point.
Interweaving her own experience with those of young Black Americans in cities and towns from New York to Los Angeles and Bluefield, West Virginia to Chicago, Allen shares surprising stories of hope and ingenuity. Instead of accepting downward mobility, Black millennials are flipping the script and rejecting White America’s standards. Whether it means moving away from cities and heading South, hustling in the entertainment industry, challenging ideas about gender and sexuality, or building activist networks, they are determined to forge their own path.
Compassionate and deeply reported, It Was All a Dream is a celebration of a generation’s doggedness against all odds, as they fight for a country in which their dreams can become a reality.
“Bet on Black is an illuminating account of overcoming adversity… an inspiring and hopeful narrative on Blackness.” —Bakari Sellers, New York Times bestselling author of My Vanishing Country
Bet on Black is a call to action for Black people all over the world to adopt a fresh, highly informed mindset that centers our resilience, excellence, beauty, panache, and brilliance. NAACP Image Award-winning podcast host and attorney Eboni K. Williams delves into the cornerstones of a first-class Black life, ranging from knowing one’s history, understanding the power of representation, and regularly investing in our communities and personal growth. In this book, Williams shows you how to take action to uphold Black excellence with no-holds-barred directives like:
- Don’t let anyone make you their Black sidekick
- Carry your Blackness proudly everywhere you go
- Tear apart the “diversity hire” stigma
- Stop codeswitching
- Invest in the Black community
The good news about being Black today is that we can place our experience, history, and understanding of the world front and center and let other people contend with their discomfort. With entertaining and inspiring prose combined with her personal experiences, Williams has written a manifesto that invites you on the quest to show the world what Blackness really is. Let’s spread the good news about being Black in America with an unfettered celebration of self.
"Thee Black woman’s story for this era. It is both political and personal. It is both timely and, quite frankly, overdue." —Sunny Hostin, Emmy Award-winning journalist
Will we ever get back the love we give? That’s what millions of Black women are asking. Whether it’s the men in our lives, our experiences in our workplaces, or America itself, the country we built, we are fighting for the consideration, kindness, and respect we are due.
Black women are being silenced. Our history is being whitewashed and our contribution downplayed. Efforts persist to reduce our existence entirely. We are fighting for love, our lives, and livelihoods while a burning America continues to stand on our shoulders as it has throughout time.
In Love, Me, Cross brings to life the souls of Black women today. In the face of a failing democracy, dwindling opportunity, and elusive love, she tells the story of how we, women of accomplishment and endurance, relentlessly use our humanity to preserve ourselves, our culture, and civilization.
Bold and provocative, Cross invites Black women to go from hopeless to hopeful as we fight to achieve our dreams, secure the love we deserve, and preserve the home we built. She argues that we must repair our personhood and society, and that starts with giving ourselves something to believe in. Cross takes us on an intimate journey through the internal and external battles we face, illuminating community and critiquing the politics of being a Black woman today.
With a blend of humor, pathos, and hard-hitting cultural analysis, Cross tackles issues like race, relationships, sex, family, economics, health, labor, and love. By bringing Black women to the forefront, she honors not just her story, but our story.
“Remind[s] us there is power in the collective body of a people and their culture. There is power in pressing on in the face of obstacles and opposition.” —The New York Times Book Review
“The People Can Fly will levitate your mind and enrich your soul.” —Lena Waithe
What does promise cost in America? Especially when that promise is seen as grounds to separate us from the communities we cherish, and framed as the key to success, salvation, survival? In The People Can Fly, Dr. Joshua Bennett explores the complex position of black prodigies in a society that has, all too often, defined blackness as absence, as lack of intellect or inner life.
Through this hybrid work of memoir and cultural history, Dr. Bennett shares how his own academic journey reflected the ebb and flow of being seen as both promising and as a problem. He turns to the childhood archives of Malcolm X, Stevie Wonder, Gwendolyn Brooks, James Baldwin, Nikki Giovanni, and others to further explore this theme: highlighting the role of cultural institutions, and loving communities, in shaping the lives of leading lights within African American culture. What’s more, Dr. Bennett clarifies how these spaces—these mentors, teachers, friends, and kin—helped defend young people from a world that sought to exclude them from its vision of promise and possibility.
With stunning prose and grace, The People Can Fly is an urgent reflection on what it means to be gifted, and to give one’s gifts away, in the present day. It is a praise song for generations of black dreamers who dared to imagine another world—where miracles abound, and ascension is only the beginning.
When her master is betrothed to a woman who conceals a tragic secret, Hannah Crafts, a young slave on a wealthy North Carolina plantation, runs away in a bid for her freedom up North. Pursued by slave hunters, imprisoned by a mysterious and cruel captor, held by sympathetic strangers, and forced to serve a demanding new mistress, she finally makes her way to freedom in New Jersey. Her compelling story provides a fascinating view of American life in the mid-1800s and the literary conventions of the time.
The Bondswoman’s Narrative is a provocative literary landmark and a significant historical event that will captivate audiences.
Includes an updated preface adding additional context about the author’s incredible life.
A remarkable story of friendship, love, and courage.
When Maya Angelou and Tavis Smiley met in 1986, he was twenty-one and she was fifty-eight. For the next twenty-eight years, they shared an unlikely, special bond. Angelou was a teacher and a maternal figure to Smiley, and they talked often, of art, politics, history, race, religion, music, love, purpose, and — more than anything — courage. Courage to be open, to follow dreams, to believe in oneself.
In My Journey with Maya, Smiley recalls a joyful friendship filled to the brim with sparkling conversation — in Angelou’s gardens surrounded by her caged birds, before lectures, sharing meals, and on breaks from it all, they sought each other out for comfort, advice, and above all else, friendship.
It began when he, a recent college graduate and a poor kid from a big family in the Midwest, was invited to join the revered writer on a sojourn to Africa. He would be handling her bags, but Maya didn’t let that stop a friendship waiting to happen. Angelou was generous, challenging, and inspirational. Like a mother to him, she was selfless.
Here Tavis Smiley shares his personal memories of Maya Angelou, of a decades-long friendship with one of history’s most fascinating women, one who left as indelible an imprint on American culture as she did on him.
When Maya Angelou and Tavis Smiley met in 1986, he was twenty-one and she was fifty-eight. For the next twenty-eight years, they shared an unlikely, special bond. Angelou was a teacher and a maternal figure to Smiley, and they talked often, of art, politics, history, race, religion, music, love, purpose, and — more than anything — courage. Courage to be open, to follow dreams, to believe in oneself.
In My Journey with Maya, Smiley recalls a joyful friendship filled to the brim with sparkling conversation — in Angelou’s gardens surrounded by her caged birds, before lectures, sharing meals, and on breaks from it all, they sought each other out for comfort, advice, and above all else, friendship.
It began when he, a recent college graduate and a poor kid from a big family in the Midwest, was invited to join the revered writer on a sojourn to Africa. He would be handling her bags, but Maya didn’t let that stop a friendship waiting to happen. Angelou was generous, challenging, and inspirational. Like a mother to him, she was selfless.
Here Tavis Smiley shares his personal memories of Maya Angelou, of a decades-long friendship with one of history’s most fascinating women, one who left as indelible an imprint on American culture as she did on him.
An award-winning journalist envisions the future of leadership, excellence, and prosperity in Black America with this "urgent and pathbreaking" work (Marc Lamont Hill).
Hard-hitting, thought-provoking, and inspiring, Conversations in Black offers sage wisdom for navigating race in a radically divisive America, and, with help from his mighty team of black intelligentsia, veteran journalist Ed Gordon creates hope and a timeless new narrative on what the future of black leadership should look like and how we can get there.
In Conversations in Black, Gordon brings together some of the most prominent voices in black America today, including Stacey Abrams, Harry Belafonte, Charlamagne tha God, Michael Eric Dyson, Alicia Garza, Jemele Hill, Iyanla VanZant, Eric Holder, Killer Mike, Angela Rye, Al Sharpton, T.I., Maxine Waters, and so many more to answer questions about vital topics affecting our nation today, such as:
Hard-hitting, thought-provoking, and inspiring, Conversations in Black offers sage wisdom for navigating race in a radically divisive America, and, with help from his mighty team of black intelligentsia, veteran journalist Ed Gordon creates hope and a timeless new narrative on what the future of black leadership should look like and how we can get there.
In Conversations in Black, Gordon brings together some of the most prominent voices in black America today, including Stacey Abrams, Harry Belafonte, Charlamagne tha God, Michael Eric Dyson, Alicia Garza, Jemele Hill, Iyanla VanZant, Eric Holder, Killer Mike, Angela Rye, Al Sharpton, T.I., Maxine Waters, and so many more to answer questions about vital topics affecting our nation today, such as:
- Will the black vote control the 2020 election?
- Do black lives really matter?
- After the Obama presidency, are black people better off?
- Are stereotypical images of people of color changing in Hollywood?
- How is "Black Girl Magic" changing the face of black America?
For more than 150 years, Black communities have gathered to honor freedom, resilience, and the ongoing struggle for true liberation. While Juneteenth has recently gained wider recognition, it was one of many Emancipation Day traditions celebrated across the United States. These observances were spaces of joy, remembrance, and resistance—even as the fight for full freedom was unfinished. This volume brings together stirring essays and striking images from Juneteenth and beyond, offering a sweeping portrait of how Black people have created and sustained rituals of remembrance, a testament to the generations who, through celebration and storytelling, demanded that their contributions to the making of America be fully recognized.